Monday, November 9, 2015

Shop Test

Antique shops are like boxes of chocolates… you never know what you’re going to get. Sometimes they’re time machines with pieces that connect a client and their house with a long distant period, while at other times they’re like a puzzle box where someone finds that one unique piece that fits just perfectly and makes a room complete.

It all starts with the pieces. You’ve got to figure out a piece’s style and age and provenance, sometimes at the exact time you’re evaluating how it might fit into your inventory and whether or not your customers will like it. Then, if you buy it, that’s where the fun begins! Now you’ve got to figure out how you’ll showcase it… will it be on its own or will it be part of a period vignette or one that focuses on style? What’s a fair price and is there a designer who’s been looking for something like it, or is it simply a piece you can’t resist and you just know once it’s in the shop someone will like it as much as you do?  Believe it or not, that's pretty exciting stuff!

As a piece of furniture, a chest of drawers or a table lamp or a set of chairs must of course be functional, in that they do what they were designed for. But functional isn’t enough… form matters. As anyone who’s ever visited a government office or college dorm knows, functionality and form don’t always go together. I’m pretty sure that we all know people for whom form and functionality are on different planes which never seem to intersect!

But for those who seek both form and functionality as they furnish their homes, antique shops occupy a unique space. They typically have pieces whose form and functionality have been time tested, often over many decades or longer - otherwise they'd never make it to be antiques...  What’s more, the pieces often have stories behind them.  Whether it’s a period Louis XV Commode or a mirror from the Bunny Mellon estate or a nickel plated brass cross from Ethiopia, the pieces you find in antique shops bring a bit of history with them as they help fill out a room… and often act as great conversation pieces to boot!

So the next time you walk into an antique shop, take a look around and imagine the history of the pieces you see about you. How many people have looked into that Louis-Philippe period mirror and seen their reflections over the previous 150 years? Imagine 100 years of bottles of French wine being passed from person to person on that trestle table. What kinds of stories played themselves out over the last century under the glow of light from that 19th century Italian crystal chandelier? Antique shops connect the past with the present all the while making homes more elegant, more beautiful or simply more complete. Unlike a museum, antique shops combine form and function with history to brighten the lives of people as they go about their daily lives…


An exquisite, richly carved Italian wooden bench with upholstered seat, cabriole legs and gorgeous cross stretcher. Circa 1880.  
Just how many thousands of people rested themselves on this 
beautiful bench over the last 130 years?

Vintage Silver and Gold Painted and Delicately Carved Tree-Shaped Base Console Table with Marble Top. 20th Century.
One wonders how long it took the craftsman to create these delicate but very strong tables.

A 19th Century Italian Walnut Wood Credenza / Buffet, Richly Carved with Two Drawers over Two Doors and Bracket Feet.
Oh the delights this credenza must have held!  Credenzas, originally, with their heavy wood and locking doors typically held the food of the master of the house... but only after it had been successfully tasted by the official taster, ensuring that the master would not be poisoned.  

An Exquisite French 18th Century with 19th Century Movement Carved Wood Wall Clock Signed on the Face By Gilles L’Aîné, Horloger du Roy (King's Clockmaker), A Paris.
Given that this clock was made by the king's clockmaker, it no doubt gave the time to many of 19th century France's most important politicians or businessmen and perhaps even a few aristocrats.


A 19th Century Walnut Wood Swiss French Stretchered Center Table with Single Drawer.
This table would have looked equally at home in a French kitchen or a Swiss artisan's shop.

A Pair of 19th Century French Louis XVI Wingback Chairs with Good Early Paint and Nicely Carved Frame, Including Rosettes on the Knees and Guilloche Frieze on the Skirt. Fluted Legs.
These chairs look like they could have been sitting in a courtier's room in any chateau.  Imagine the intrigues they would have seen! 


A Pair of Italian Early 19th Century Crystal Chandeliers With Wooden Central Column, Multiple Faceted Crystals and Swoop Gilded Arms.
It's not hard to imagine the formal balls or wedding receptions that might have been illuminated by these beautiful chandeliers with the candlelight dancing off the 
crystals before electricity was available.

An Italian 19th Century Painted Poplar Wood Two-Drawer Chest with Cabriole Legs, Nicely Scrolled Skirt and Carved Drawers as well as Discreet Carving on the Side Posts.
What secrets have the drawers of this chest held?  Records of political intrigues, lost love 
letters from a secret admirer or simple recipes handed down from Grandmother?


A Swedish Nude Painting
For the sake of the model one can only hope that this painting was done in June or July, as those are the only two months of the year where Sweden's average temperature even breaks 70 degrees!

An Italian 18th Century Dark Stained Pine Wood Bench with Richly Carved Back and 
Medallion and Tapered Legs.
From lovers whispering sweet nothings to parents scolding their children, the man in this carving has no doubt overheard a lifetimes worth of stories that brought about everything from unabashed happiness to tears of sadness and everything in between.


A Swedish Early 19th Century Baroque Style Table / Desk of Bleached Wood and Darker Painted Accents, Wonderfully Carved Support and Cross Stretcher.
Legal documents, corporate alliances, political intrigues, one can almost picture this desk at the center of a smoke filled room with men hammering their fists on it as they argue about who will carry the day.  In the end, the table outlasted every argument.   


Silver Color Framed Herbariums from Sweden, 1930's.
Herbariums such as these make wonderful decorative pieces, but for much of the 18th and 19th century they played an important role in the study of plant taxonomy.


An Exquisite Pair of 19th Century Italian Gilded Candlestick Table Lamps.
After a century of lighting dining rooms with candles, these candlesticks have been reinvented as lamps and no doubt will continue to brighten days for many years to come.  

A Pair of Italian Carved Lime Stone "Panisci" Figures (Followers of the God Pan, Half Children, Half Goats), Playing Musical Instruments on Custom Wood Bases.
Panisci figures, not to be confused with cherubs, were said to divert attention from serious matters by blowing their horns and causing "little panics".  Luckily these two don't have their horns with them. 



A French Early 19th Century Painted Wood Mirror with Floral Carving 
from the Bunny Mellon Estate.
This mirror started its reflective journey in France then found its way to the home of a family that included heirs to the Mellon and Warner Lambert fortunes.  Imagine the smiles, frowns and primping that were reflected in its four piece glass.


An English Early 19th Century Painted Wood Five Drawer Chest with Two Smaller Drawers over Three Larger Ones, Geometrical Patterns and Bracket Feet.
Over the centuries this chest no doubt held countless winter garments and socks to keep the wet blustery English winter at bay... but the locks suggest that at times it may very well 
have held things a bit more valuable!

A Pair of 19th Century Painted Wood Mirrored Screens.
What activities might these screens have hidden?  We'll leave that to your imagination...

An Italian Round Occasional Table With 18th Century Paw Feet, Painted and Gilded Wooden Base Decorated with Carved Swags and 20th Century "Sunflower" Top.
It's possible this table held more than a few morning Amaretto and coffees
as well one or two Billinis before Carnevale.


A Rustic Late 19th Century Large Size French Wooden Wine Press.
Just let your imagination run wild with the thoughts of the endless array of spectacular French 
wines this press might have been a part of creating.


A Spanish 19th Century Trunk Made of Leather Embossed with Brass Nailheads Featuring Geometrical Patterns and Heart Shapes on the Sides Surrounding the Handles. Bun Feet.
One can only imagine the Spanish wonders this trunk once held... fine Italian or a treasure of Spanish doubloons, or maybe just the toys from a long gone bittersweet youth...


An Italian 19th Century Painted Wood Buffet / Credenza with Two Doors, Three Drawers, Beautifully Carved Details Including Guilloche Frieze and Dovetailed Joints.
Imagine... over a century of seafood linguine, spaghetti & meatballs or baked lasagna this 
credenza has kept warm.  You can almost close your eyes and spell it...

A Pair of 18th Century Italian Wooden Armchairs with Cane Seats and Backs, 
Tapered Legs, Scrolled Arms and Cushions.
One can almost imagine the conversations these chairs must have overheard as 
they sat on the tiled patio of some Mediterranean villa...


An Italian 18th Century Wooden Console Trestle Table / Desk with Beautifully Shaped Sides.
No doubt, over its two plus centuries of life this table has been the setting for countless arrangements of flowers and perhaps even a wedding gift or two along the way.


A Wooden American chest from "Howe" Scale, From the Early 20th Century.
This chest no doubt greeted thousands of customers from the Howe Scale company that was incorporated in Vergennes, Vermont in 1856 and operated until 1961.



An Assortment of Ethiopian Crosses on Stands. Nickel Plated over Brass. 20th Century.
Great care is taken in the making of these crosses, no surprise given some people believe the Ethiopian Orthodox Church is the home of the Arc of the Covenant.

Monday, October 26, 2015

Intaglio Test....

I remember the first time I went to Greece. I wanted to make sure I had a record of my trip so I took a few pictures… actually I took 36 rolls in 7 days! And as this was long before digital cameras were common, so they all had to be developed. But in the end, they did exactly what they were supposed to do and I have wonderful pictures of my trip.

Today when I go on a trip I’ve got a digital camera and I rarely get any of the pictures printed. My how things change! As much as I look back and see the inconvenience of carrying film canisters and the expense of getting whole rolls developed, the reality is, that was far more convenient than people had it in the past.

Imagine it’s the mid-18th century and you’re a young man (or occasionally a woman) who’s just graduated from Oxford. You’re ready to see the world… so you begin what was known as the Grand Tour. You head off to Paris to work on your French, mix with the aristocracy or the bourgeoisie and experience everything the City of Lights has to offer.

After a few months you begin your journey over the Alps and through Switzerland to make your way to Italy. Once there you’ll visit Turin, Venice, Florence, Rome and various other cultural centers. Throughout your time there you’ll be working on your Italian, studying history, visiting museums and ruins and of course rubbing elbows with the upper crust of Italian society. If music is your passion you’ll likely venture a bit south and spend some months in Naples as well.

Grand Tours were part educational and part epicurean. For the educational aspects wealthy travelers would be accompanied by a Cicerone or Bear-Leader (tutor). They might also have grooms and valets and coachmen as well. The less wealthy would hire guides and tutors along the way as was necessary. For the epicurean aspects of the tours Cicerones or guides would be of help, but often young travelers would seek to experience a city’s delights with local companions… and some, like Byron and Boswell, might spend much of their Tours searching out a given city’s underside of prostitution, gambling and whatever other debauchery they could find.

If you’re from a moneyed family, all along the Grand Tour you’ll pick up souvenirs of your journey in the form of grand paintings or sculptures or furniture or any various sorts of antiquities. If you’re from somewhat more humble origins however – this is a relative statement as by definition anyone embarking on a Grand Tour was from the wealthiest segment of society – and could not afford such luxuries, the Italians had the perfect solution: Intaglios.

Intaglios were typically small plaster stamps with reliefs carved into them. These reliefs often depicted scenes from Greek or Roman mythology, or individuals or scenes from history. The travelers would mount the intaglios into books and then make notes corresponding to each one as to his adventure that resulted in his buying or obtaining that stamp. By the end of the trip a traveler would have books filled with intaglios and notes that would last a lifetime and were perfect tools for telling children stories about their adventures in the world beyond the county line.

Intaglios make for great decorative pieces… of which we have quite a few. Today, rather than coming in books they come mounted in frames that range from a single intaglio to more than a dozen. In addition, they come in various shapes and sizes and themes. Although it is possible to find original intaglios, most today are copies made from molds of the originals. The newer intaglios are usually brighter than the originals as plaster can fade after 200 years! Most intaglios are white but on occasion they will be painted a different color – usually black – in order to create a piece with a different feel.

The next time you find yourself flipping through the pictures of your trip to Paris or Rome and lamenting the fact that you’ve got too many to choose from, just be happy that you had a digital camera and didn’t have to carry around books full of plaster in order to revisit your memories!



Intaglios are often combined in a frame with a variety of sizes and shapes to create compelling decorative pieces.  These three feature 19th century intaglios in different sized frames.  


This intaglio features a carving of 6th Century BC Greek wrestler Milo of Croton as he is devoured by a lion.  Original accounts of his death stated he met his end at the claws of wolves, but most depictions in the 18th and 19th century replaced wolves with a lion.




While most intaglios are round, some featured other shapes.  The below frame includes three different shapes, including an octagonal one featuring the Greek monster Medusa.




Although intaglio frames are sometimes purchased individually, they are usually purchased in groups as they can be placed in different patterns to fill irregular spaces or balance a room.  


Intaglios usually are white plaster, but they are occasionally painted different colors, to give a different look and feel.  These sets have been painted black and seem to jump out from the behind the white matting.  


During Grand Tours intaglios were collected and pasted into books.  On the adjacent page were typically numbers corresponding to each intaglio that would describe where the piece was acquired and often what was depicted in its carving.  


While decorative intaglio frames usually feature a number of intaglios, sometimes a single piece is sufficiently compelling to stand on its own.  Above a frame features an egg shaped piece with a carving depicting the Greek tragedy of Apollo and Daphne.  




As we can see, intaglios are very versatile in how they can be displayed.  Above this set of frames features the intaglios sitting on  matte made of pages from antique books.  




This frame has a distinctly Italian flavor.  The bottom intaglio features the Roman Coliseum, the middle intaglio features a lion - a common Italian symbol during the Renaissance, and the top intaglio features a pair of Senators.



Intaglios on our walls in Atlanta.



Monday, September 21, 2015

A Georgia Peach Thrives in the Heart of Texas...

Eleanor Cummings grew up one of five children in Columbus, Georgia. You might say her family had been there for quite some time... actually her grandfather used to own much of the land that makes up the Ft. Benning Army base. Indeed, what is today the Commanding General’s house was built by her grandfather.

Her passion for design came from her aunt - also named Eleanor - who worked with the city of Columbus in the 1960’s and 70’s as they sought to revitalize their communities. In particular she worked on trying to preserve the historical nature of buildings in everything from their architecture to their original paint color.

The younger Eleanor got her start in design working at Collins and Huff Interiors in Columbus. Eventually she decided that it was time to leave the town she had called her home most of her life. At the time one of her sisters was living in Texas and invited her out… and she’s been there ever since. After taking a job at Houston Home and Garden Magazine she finally hung up her own shingle in 1986 with the launch of Eleanor Cummings Interior Design. Although it was Texas, her first clients weren’t oil men or wildcatters… actually they were doctors, as they were the only group not sent reeling by the energy bust of the early 1980’s.

Her very first client however was not a doctor, but rather a single investment banker who was setting up her first home. Today the single investment banker is married and not only has Eleanor designed four houses for her and her husband, but she is currently designing the house of their daughter! That’s what you call keeping things in the family.

And that is exactly what the world of design is for Eleanor… family. That’s always been true for her and it dovetails with something someone told her about interior design many years ago: “The first 10% of the time you spend talking about dimensions, decorations and design and the last 90% is spent talking about friends, family and life.”

Eleanor
And that’s the key to successful interior design… it’s not just a business arrangement, although it is that. It’s a relationship… and usually a two or three year long one at that, if not longer. As such, while Eleanor obviously looks at the basics of the job, such as the timeline, architecture, budget etc. when deciding which clients to take on, her single biggest priority is determining whether the prospective clients will mesh with her and her team and be a pleasure to work with. If not she passes as a rough fit would not be helpful for either her team or the client.

One of the great evolutions she’s seen since she first struck out in the design world deals with teamwork. When she first started doing design the roles of the players was quite distinct, particularly between architects and designers. At the time architects very much set the tone, and designers were left to design to whatever space they were given to work with. Today, thankfully, the model has changed and designers and architects work very much hand in hand. Whereas previously a designer was told, here are the dimensions, this is where the kitchen island stops and these are the arches, today there is a great deal more coordination and consultation resulting in projects where the design and the architecture seem to complement one another rather exist despite one another.

Although Texas is big – bigger than France and a GDP that would rank it #10 in the world – and most of her work is there, she does from time to time venture outside the Lone Star state. She’s not only worked in her native Georgia, but she’s recently done work in California, Montana and Massachusetts as well. In addition, she regularly travels to Europe to find pieces for current or prospective clients. Her most recent foray into the Old Country was a trip through France and Belgium looking for fireplaces for a project that may end up with over a dozen. The beauty of these kinds of trips is that not only is she able to buy for whatever current project she’s working on, but at the same time she can keep an eye open for pieces that might be perfect for some future project or ones that might offer the opportunity for repurposing to fill a need that’s hard to fit.

This current project - with the 12 fireplaces - is a template for her favorite kinds of projects, those starting from scratch or those doing major renovation. They give her an opportunity to see all the potential the project holds and imagine the different ways it could proceed.

A designer’s job isn’t to just fill a room or a house with whatever they like. A designer’s job is to work with a client so that when the project is finished the client has a house that's not only functional, but at the same time is sufficiently comfortable that it feels like a home. And the reality is, clients don’t always know what that house / home combination looks like or even exactly what they want! It might sound strange, but Eleanor is quite clear about her role as a designer… in order to help the client get everything they want out of a house... and get a home in the process… sometimes she has to educate them about design and the various strategies that go along with drawing out a space's potential.  

Some designers are sticklers for style or period or price. Not Eleanor. There are pieces that are original and unique and expensive and other pieces that are… shall we say, more economically priced. And that’s OK. She likens the design of a room to a little black dress. If you’re wearing a simple, inexpensive dress, and that’s all you’re wearing, people will likely notice. If however you adorn that simple, inexpensive dress with an elegant necklace, smart shoes and an eye catching clutch, then everyone will look at you and see your style and it won’t matter – and likely they won’t notice – that your dress came off the rack…

Today, Eleanor seems to have found her sweet spot. She has her team of four designers – really three designers and an architecture student – and her two support staff. Together they stay busy, but not so busy that she or they lose focus on what makes the business a great place to be in the first place… working to help bring out the beauty in whatever project they happen to be working on while exceeding client’s expectations. It sort of reminds me of a quote from Michelangelo… “Every block of stone has a statue inside it and it is the task of the sculptor to discover it.” If Eleanor said it she might put it this way: Every house has a home inside… it’s the task of the designer to discover it.

Below are some pictures from some of Eleanor's extraordinary work as highlighted in three different publications.

The following images are from a piece in House Beautiful called A Texas Home, Straight out of Italy. Photos by Eric Piasecki.













The below images are from a piece in Traditional Home called 









This is the bedroom's "Before" state.  

This is the bedroom "After" Eleanor's magic.  

The below images are from the April, 2010 issue of Veranda as recounted by the Indulge Decor blog.